THE MOSAIC OF OTRANTO

A Reading of Pantaleone’s Message

INTRODUCTION

I happened to discover the existence of the mosaic in October 2007 thanks to one of the girls attending the Centre ‘Umberto di Grazia’ who told me about a conference on the mosaic held by Francesco Corona at the centre the night before. Afterwards, I looked up the mosaic on the Internet and in the picture I could see on the screen – and that I thought was related to the whole of the work – I realized the reason why those characters were on the mosaic but I wasn’t able to understand the meaning of the drawing. So I began to look for more information, persuaded that it was not by chance that I had come across the mosaic: indeed, the story told by this picture corresponded to what I had already deduced from my “personal experience” and I had been in search of a confirmation for more than three years. I was not very interested in visiting the place for I had read somewhere that it was not possible to see the mosaic in its entirety because it was covered by pews and other church furniture; so I began to refer to Grazio Gianfreda’s books, as he was the priest who had written several things thereupon, but his writings were impossible to find. I tried to send some e-mails to people who had studied or were still studying the mosaic to obtain more details, but even this attempt revealed to be vain. Finally, after a long time, I was able to find accidentally the long-desired book at a bookshop in Rome: it was a revised re-edition containing even a photo of the mosaic in its entirety. Watching that image I could understand the message that Pantaleone wanted to send to posterity; in that mosaic, with its drawing, I found the answer to an important question that I had hoped in vain to find in books.

HISTORICAL BACKGROUND

The monumental pavement work I am going to describe is included in the Cathedral of Otranto, a little town in the province of Lecce. The ancient church was built over the remains of a pagan temple consecrated to the goddess Minerva and where, subsequently, two aisles were added. Due to the rites performed when it was still a pagan temple, the site has a hidden passage somewhere in the middle of the right wall. Some very rudimentary stairs enables to get downstairs where other ceremonies took place, a thing which was rather common to the ancient places of worship, including pyramids. Now, we can arrive at this underground space using a regular staircase. In a period when probably it was no more a pagan temple and perhaps was used by Basilian friars – though the building of the mosaic was still far from being conceived – Mahagdi, the sailor to whom Alì entrusted the Books of Knowledge and an important map to bring to Italy, met his end right here.

Pantaleone the monk – who conceived and built the mosaic as commissioned by his Bishop – lived in the neighboring monastery of S. Nicola di Casole, that was a prominent religious and cultural centre of the times. Thanks to its strategic position, the town of Otranto has always been an important crossroads between East and West, Europe and Africa.

Given the symbols inserted in the mosaic, the hypothesis so far suggested by scholars and researchers is that some of the first Crusaders – who became then Knights Templar – had brought back something from their battles in the Middle East: looking at the History of that period, this hypothesis seems to be the most probable one, though we should not fail to acknowledge that those symbols, before being used by Templars, had already been adopted by ancient Egyptians, and the Knights did no more than reproduce them.

The work, which can be dated back to 1165 A.D., has been investigated for centuries by scholars and art lovers who tried to understand the message the monk left to posterity. However, there are only hypotheses for its reading up to now. In my opinion, this can be explained by the fact that they started from the wrong assumption according to which the mosaic, being included in a Christian church, is somehow representative of an evangelical message; but, whether an attribute related to Catholic religion really exists it refers only to a negative meaning, as we will see later.

DESCRIPTION

Pantaleone made use of the cross as a sort of body inside which he inserted the story experienced by our God the Maker through his incarnations on the Earth (God or Elhoim is different from God or Cosmic Intelligence to whom He, like the rest of us, belongs, though to a higher and more advanced level). Pantaleone shared with the Tree of Life his story distinguishing a mythical part, that he drew on the left (on the right if we look at the mosaic), and a real part, that he put on the right (on the left if we look at the mosaic)..

"Two Arms"


Left arm	Right arm

On the left arm of the mosaic, the mythical tale starts with the image of a very young Atlas. Atlas is the first myth of the God, or Alien, who was already on the Earth when it was still inhabited by giants. That part, or branch, of the tree – being related to mythology – rests on nothing; on the other hand, the right arm, the real one, which is always departed from the Tree, symbolizes partly the good starting with Abraham, Isaac and Jacob and partly the evil with Satan on the throne. The Tree rests on the Bull, a Symbol belonging first to Egyptian (with Apis Bull) and then to Greek world (with Mnevis Bull).

The presence of good and evil on the same right arm testifies that God, or Elohim the Maker, owns both Light and Darkness as human beings do; in fact, the Scriptures tell us that He created Man in his own image. Pantaleone puts the story of the Prophet Jonas as a crown on that body in order to emphasize its importance for it is the same message Jonas brought to Niniveh that the woman on the mosaic (representing also the “Woman clothed with the sun” in the Apocalypse of Saint John) should bring to Mankind on the Earth in this age. Pantaleone depicted her as Diana Goddess of the Hunt for the place where the woman would live reveals to be connected with the myth of Diana in the area of Castelli Romani, localities also known for Montecavo where Jupiter was said to appear in far-off times and where Romans, to keep the memory alive, made their oblations scarifying White Bulls.

"The Square or Head"

In the Square or Head, there are sixteen pictures of which only fifteen are encircled. The picture without circle, which is the first to be read, represents the passage of God from the Age of Aries to the next one, that is His death as Osiris and His rebirth as the new Star with a new name: Helios.

According to the law of Hermes, the principle of correspondence says: as above so below, as below so above (the renowned two Suns about which Dante himself speaks explaining us the following meaning: the God reigning in our heaven and the person on the Earth through whom he has become incarnated. And this is true for all those possessing a Soul on the Earth, because each of them is the expression of a Star), as a new star, through his incarnations on the Earth, Helios, too, started a new journey and the journey can start through the knowledge in order to overcome our Darkest side. Pantaleone highlighted only fifteen circles because this number is related to God or Elohim. Even in tarot, the fifteenth card – namely the devil – is connected to death and rebirth. The sixteen pictures representing the “head” or “heart” of what we described as the “body” depicted in the mosaic, tell us about the symbols connected with Him, the journey that God has undertaken over thousands of years. The image contained in the fifteenth circle represents also the beginning of the journey undertaken by another personage on whom the monk wanted us to focus our attention: the woman who would be the final incarnation of God in the end of time. Therefore, Pantaleone wanted to express more than one concept in the fifteenth circle, where the Abraxas appears in its feminine nature, thus he used, with the appropriate changes, a Symbol taken from Basilides, a symbol that was already employed by the ancient Etruscans, with the aim to suggest the philosophy we should use in our reasoning. Among other things, Basilides claimed that it was not Jesus to die on the cross but Simon of Cyrene (a theory still supported by Hebrews and Muslims) and he also asserted that God can manifest himself only as a Spirit. Today, we can say that he was right. Besides suggesting this through the insertion of the symbol created by Basilides, Pantaleone tells us also that: the one who was born Enoch (but has been Elias as well) would incarnate himself in the body of a woman; in fact, the mermaid has a full head of hair which is typical of Nazirites. As we can see Pantaleone included on the mosaic the figure of Diana and the Symbol of Basilides is depicted like a mermaid because the soul, to be reincarnated, would pass through the gate of Cancer (water sign). The rooster’s head in the Abraxas, symbolizing the annunciation of “a new day”, was placed in a box of the mosaic while singing in direction of the fox, thus denoting that the “time of cunning old devils” has come to an end – a reference to the times we are living in, which is, in turn, the Chaos so feared by old Egyptians.

Afterwards, we find the figure of Solomon next to the figure of the Queen of Sheba. The Queen has dropped one of her shoes for it was on that occasion that she has symbolically lost the “Rod” or Seal of Spiritual Command. At first I thought that God was incarnated in Solomon, even though with such an interpretation some of my personal experiences didn’t find any correspondence; this led me to follow a wrong logic, while Pantaleone meant that the God was incarnated in the Queen. Once I acknowledged my error and realized that the God was incarnated in the Queen of Sheba and why it was so, even my past experiences find their explanations and I was able to interpret the drawing on the mosaic in the right way. In recalling the legendary birth of the Queen of Sheba everything is in its place. Solomon and the Queen are both placed immediately after the second circle for the religious “question” starts exactly from that point. However, I couldn’t say what was going to happen in their meeting, that is whether they had to stay together and unify the religion of Solomon’s God with the worship of the Sun practiced by the Queen of Sheba, given that both were expressions of different cults but venerated the same God; or the Scriptures have not been interpreted in the right way because of the several Black Madonnas connected not only with Isis. The Queen is mentioned in the first Book of Kings, the second Book of Chronicles, the Song of Songs, but also in the Kebra Nagast and the Koran, and, according to Matthew, even Jesus tells something about her. But the point is that what should have happened between Solomon and the Queen of Sheba, actually didn’t, given that human beings are still today in a sorrowful condition. In order to tell us that the Queen of Sheba was a very important figure, Pantaleone placed her next to Solomon and, to explain what had happened, he took one of her shoe off because shoes symbolize the “walking through life” (just think, for example, to the brothers Grimm and later Disney who made Cinderella drop her glass shoe) and the woman has symbolically “lost her pace” because she has lost the “Rod” of the Spiritual Command; in fact, after her, there would be only men to have it. Indeed, Solomon is the builder of the first Temple, and he would be followed exclusively by male kings in giving spiritual instructions.

It is easy enough to see the difficulties experienced by the first Seventy who tried to put together the ancient scriptures (but how many writings were they able to eliminate?); however, it’s obvious that the story told so far does not help to answer the many questions we could ask. What really happened between them if Menelik, the son of Solomon and the Queen, came back and stole the Ark from his father? Did the Seventy find no writings about what had happened or they simply decided not to hand them down for they were too “disturbing”? Surely, thanks to Menelik’s gesture, we can now believe that the Ark has been saved, while the turbulent history of Jerusalem wouldn’t have permitted that (today, the Ark is thought to be undamaged in Axum, Ethiopia). But why did Menelik come back to steal it from his father? What was really contained in the Ark? What had really happened between Solomon and the Queen? I am not able to answer these questions, but I am sure there is someone who knows the answers …

The Queen of Sheba is the person who is still considered as a Queen by the Gipsy. The ethnic group of Romani is believed to descend from Nikaula, a name probably corresponding to our Queen of Sheba. Furthermore, the Romani – a people also known for the precognitive characteristics of its women – celebrate every year their Queen in France, exactly in those places where it was said that the three women lived after being landed on the French territory … how many strange coincidences… don’t you think?

It is evidently the monk himself the one who is depicted in the circle together with the unicorn, another animal that more than anyone else is connected with Christ’s symbology. In my opinion, he did it to invite us to consider the legend of the unicorn, where it is told that a pure-hearted young woman was employed to capture the animal. Here, we refer to the purity of heart not to the mere virginity as we have been taught by Catholic religion (and it was a pope the first to talk of virginity as far as Mary is concerned).

The Unicorn, an animal that was seen only as a mythical creature and was the subject of many paintings by the artists of the XVI century, depicted next to or on the lap of several women (see, for example, Raphael’s La Fornarina or Domenichino’s Virgin and Unicorn), the unicorn, I say, is born in Prato a little more than a year ago!

The Deer is there to represent Christ; it is depicted as pierced by an arrow for that wound symbolizes the suffering He underwent because of the falsity told on Simon Magus (and not only), who was another incarnation of God.

The Centaur, a mythical animal defined as Master of the Stars, is on the mosaic to underline that even our God the Maker, who is the Master of the Stars, has an “animal part”.

In expressing his thought, Pantaleone made a large use of a symbology related to the world of animals, the features of which he employed to emphasize several characteristics of God. The elephant – which is on the mosaic due to its link with the God Ganesh and, consequently, with the tradition originated from him – is known for its strength but also, broadly speaking, for its wisdom, patience and memory; the dromedary is known as an animal capable of enduring long crossings of the desert (even one of the Koran’s suras tells us about a she-camel to whom people have not to give a drink … The drink is to be understood as the Knowledge: there’s no need to teach her for she possesses already every kind of wisdom); the antelope is a calm, shy animal but sometimes also a ferocious one.

The leopard stands for Dionysus, another incarnation and another moment in the development of “God” (the moment He was growing up, as we did, every human being, through re-incarnations, given that everybody comes from the same Source). The fox, which is below the leopard, represents what the God, as Dionysus, should learn to fight in that life to overcome his dark side on the journey to victory.

Then we find what in the Bible is called the Leviathan, described in the legend like a gigantic sea monster with a brute force and depicted with a hare in his mouth: he symbolizes another feature of God that Pantaleone wanted to stress; in fact, he put a horn on the monster’s forehead (like the Unicorn) to underline his regality. The hare in his mouth wants to signify that when God loses his patience becomes a monster and even if people try to get cute …being cowards indeed … and run away, he catches them and devours them.

On the lowest right side we find a Bull: the strength of good. Below the Bull, a branch from the Tree of Life is drawn. On the other side, that is on the left, there is Behemoth, the incarnation of evil; it has no branch for evil has no support. The Bull and Behemoth symbolize the eternal struggle between two antithetical forces for predominance, a struggle that takes place first of all inside every human being and then, going up, affects any level in the universe and, eventually, comes back on Earth again: the eternal cycle. In fact, between the two symbols we have just described, there are Adam and Eve that Pantaleone placed that way in the square to explain that, besides being God’s creatures, it is through human beings on the Earth that the struggle between those antithetical forces materializes.

Even Eve, like the Bull, is supported by a branch from the Tree of Life, and inside the same circle Pantaleone drew also the Serpent for it is a Universal Initiatory Symbol. By placing those two symbols in the drawing related to Eve, the monk wanted to tell us that it was Eve to be the Initiate, in fact she “does eat the apple” and it is thanks to her characteristics, given by God himself, that mankind goes forth and multiplies. Those two symbols do not represent her link with the Devil, as the Catholic Church tells us, they represent, on the contrary, the connection with Mother Earth because the Earth is herself a woman, is able to procreate and her “time” is marked by Lunar cycles.

The “Body” or Torso

On the right, we can see the Garden of Eden with Adam and Eve; on the next image, there is an Angel who accompanies them outside the Garden, he is accompanying … not chasing them!

The story of Adam and Eve expelled from the Eden is just a legend! On the left, we can see Cain and Abel, and then Cain killing Abel; however, those figures have been placed in the mythical part, thus we can infer that even the story of these characters is no more than a legend.

Then, we can see a Knight with the inscription ‘King Arthur’: I doubt very much that the name was written by Pantaleone given that the Knight is Horus, not King Arthur, and this is confirmed by the fact that he is not sitting on the back of a horse but of a He-Goat or Ram, the solar symbol of a previous age. Furthermore, he is not drawing a sword but a bent rod, a symbol of Horus. The Rod is the Symbol that have accompanied us for thousands of years, it is held by the spiritual leader in charge. Horus had it, Egyptians had it, and Etruscans also; and then starting with Moses, every Prophet had it. Today, the Rod is in the Pope’s hands during official ceremonies but it must be in the hands of a woman. It was not by chance that Nicolas Poussin himself gave it to his Shepherds of Arcadia; and even Teniers, in the painting The Temptation of St. Anthony, placed it between the two Shepherds. I have mentioned these artists because Bérenger Sauniére – the parish priest of Rennes le Chateau – asked to have a copy of their works in Paris, together with a painting depicting the coronation of Pope Celestine V, still another incarnation of Elohim.

Below the one we have known as Horus – who is actually the immortal Spirit of Osiris – we can find a man and a dog attacking him at his throat: that’s the narration of a “very human” reality that is taking place: Osiris, “God”-man or Elohim, who lived on the Earth in the Age of Aries, was killed by that “dog”-man called Seth – who was actually his brother according to the legend. The image above them is the immortal Knight or Osiris’ Soul, which has been placed that way to represent the God’s Soul in his passage to the afterlife; for in His Journey, he had to overcome first the Powers of Darkness (the wolf-cat he is facing) and then, once he got through this passage, his Soul could be Elevated (the elevation or uplifting is represented by a naked Knight at the back of Horus) and became a Star with a new name; only after becoming incarnated in Isis, he could start a new cycle.

Studies carried out by other researchers also showed that King Arthur’s story came after the story of St. Galgano and His Sword in the Stone, an event occurred a few years after the building of the mosaic. It seems that, before that date, the legend of King Arthur and the wizard Merlin dealt only with cauldrons and magic potions; thus, only those who were interested in creating confusion about the reading of Pantaleone’s message could have inserted that name and a date subsequent to that of the construction and, surely, of Pantaleone’s death.

Pantaleone’s narration continues by representing the months of the year included in the picture to symbolize the passing of time from the moment when, as Enoch told us, God was still walking with the man to teach him to till the soil and to recognize his divine side. In fact, Pantaleone used the symbols of star signs and those of the cultivation techniques typical of each month. God did it because, as any father is responsible for his children’s growth, He was responsible, too, being the Maker of mankind.

The monk made this separation to tell us that part of the tale is completed. Then, he resumed his narration with God giving Noah the order to build the Ark. We can see God’s hand that gave the order to Noah and some people working at the building of the Ark, while the animals going aboard the Ark are depicted in the mythical part. This suggests how this episode would be legendary as well. Pantaleone has made a further division, so we get to what can be defined as the “legs” where the narration is related to another important period of Humanity.

�The Legs�

On the left, the narration is again in the mythical sphere up to Alexander the Great whose presence testifies another life of God on the Earth (he was said to be protected by Zeus indeed). Alexander – the great conqueror who was nonetheless respectful of religions practiced by the peoples he conquered – began to unify different peoples under the same religion, a task that later the Messiah would have completed by inviting to follow one single faith. In this respect, it’s interesting to read the Prophet Daniel for – besides the explanation the Lord gave him on the he-goat’s horns as related to religions as well as on the vision the prophet would have to understand what should be the end of time – we can find also an indication about time specifying after how many days the Lord would send the Messiah.

On the right, we can see some people at work: with his drawing Pantaleone wanted to tell us that, after the Flood, men had multiplied again. Below, there is the Tower of Babel included by Pantaleone because it represents a very important moment in the history of God on the Earth and Mankind. In fact, as written, when men built the Tower, disobeying Him, the Lord became indignant and, after making Abraham leave the town, destroyed the Tower and said, “Go to, let us go down, and there confound their language.”

By saying ”go to, let us go down” (that was to be translated: let us go down into men) He would imply a precise meaning, though we can’t deal with it now. The sentence “and there confound their language” was related to religions, instead.

Under the Tower of Babel we can find the bodies of 4 Lions with a single sun head. The meaning of the single-headed figure implies that it is the same God to be incarnated in four people representing those Lions, and those Lions represent 4 women.

The first Lion stands for Hatshepsut, the Pharaoh-woman belonging to the XVIII dynasty. Hatshepsut was an initiate, in fact, she said her birth occurred due to the union of her mother with God, but she was killed by her stepson; and I don’t think he did it because he wanted to regain his throne of which he was entitled by the law of succession, I think he did it because was looking for the object that Senmut, Hatshepsut’s architect, had found under the Pyramid of Zoser. In fact, it was through this object that Senmut learned about what he depicted on the ceiling of that which was to be his tomb and in the temple that he, together with Hatshepsut, consecrated to the worship of the goddess Hator. But Senmut had hidden the object again for he thought that mankind was not yet prepared to get it. Actually, I believe the object was a stargate, a sort of time portal, and now it is in America. I think it arrived there together with the Statue of Liberty – a statue representing the Hermit in tarot cards or the feminine Light Bearer, always to be identified with the woman coming in the end of time. In fact, she has the crown for she is a queen, and she holds the torch as a sign of victory. On the left, the side of the heart, she has the Books of Knowledge. Those books do not represent common knowledge but the truth which is in her heart. The Apocalypse Angel also mentions the lamb’s soul when he speaks about the Book. The statue is a gift that French people gave to Americans on the occasion of the Bicentenary of their Independence and, in my opinion, it was a trick to send the object to America without arousing suspicion in the period when Victor Hugo was at the head of the Priory of Zion.

To the XVIII dynasty belonged also Akhenaton, a pharaoh who was well known especially for his heresy on the single God. Akhenaton was also killed and they were his brothers to kill him and his mother gave her mutual consent. Probably, they did it because of Akhenaton’s heresy, but also because the pharaoh delegated the spiritual power to his wife, as he knew he had to do it, though he helped her in the difficult task. To corroborate this, we know that Nefertiti’s Seal was recovered, while there is no trace of Akhenaton’s. With Akhenaton’s murder and the power in the hands of Aki, Nefertiti “disappeared”.

One of Akhenaton and Nefertiti’s daughters gave birth to Moses. The “rescued from the water” means that Moses was rescued from the Nile but also from the Cosmic Waters in a sort of initiation. It may be that those who read about this were not able to understand why Moses did not go through the initiation so the story of his adoption began to be spread. However, the story could have been also modified later for Hebrews could find a little uncomfortable to admit that Moses descended from Pharaohs; therefore, it maybe that they concealed the truth because they didn’t want to admit that Moses descended from Akhenaton. When he was a child living in the temples, Moses came to know the truth from his grandparents and, when he became an adult he decided to vindicate his parents by challenging the current pharaoh – perhaps he was still Aki – and taking Jewish people, who were not slaves, away from that country in the name of his God’s promise of a new land where they could live (a God who in that life expressed himself in favour of the Ego, and Michelangelo knew it so that he depicted Moses with a pair of horns).

This religion was then pursued by David, the son of Miriam, Moses’ sister, who was then secretly anointed by the Prophet Samuel becoming the King of Israel after King Saul’s perversion. On his death, his son Salomon – born from the union of David and Bathsheba – succeeded him to the throne.

As far as Solomon is concerned, we know his Praise of Wisdom; furthermore, we also know that he is the builder of the first Temple, that he met the Queen of Sheba who, besides being represented next to Salomon, is the woman represented in the second Lion as we have already explained. Clearly, despite his wisdom, Salomon did not understand what was the task he had to accomplish together with the Queen of Sheba, and perhaps it was for this reason – that is Solomon didn’t want to modify or to give her the control of spiritual power in his kingdom – that the Queen left him even if she was pregnant. Later, Menelik – the son born from their relationship – came back to retrieve the Ark of the Covenant.

Between 558 and 478 B.C., Siddhartha comes (being another incarnation of the same God) and he will be later known as Buddha, or “the one who was woken up”. Around the year we know as the year zero, Mary arrives representing the third bodies of the Sun Lion; and the Messiah Jewish people were looking for was the woman herself: Elias, that God said He would send, was clothed with the body of a woman. Helios was incarnated in her and Mary was the Messiah because, being a woman, she was connected with the Sacred Feminine of the Earth. Thus, it was she who, “by taking again the Rod of Spiritual Command”, had to settle things down bringing back a new balance thanks to the return to a single religion: the Cabala, with its 32 pathways (22+10), represents the personal spiritual journey. But Mary was not recognized, and notwithstanding what Jesus tried to do, the “veil” that should be removed continued to be drawn; indeed, it became thicker.

Michelangelo knew everything (and, above all, those who commissioned him the work knew it, and also the popes that came before him knew it), that’s why he depicted, in his Last Judgment, the Prophet Jonah standing over Mary and Christ – and Christ is not to be understood as her son but as the anointed one residing in her; and this is because Mary – like Diana showed by Pantaleaone – should give the Hebrews the same message that Jonah brought to Nineveh.

Michelangelo also knew about the errors made by Hebrews and, in my opinion, this is the reason why he saved only two of them in his Last Judgment, namely Enoch and Elias … that is the previous incarnations of Mary’s anointed one, thus we can say that actually Michelangelo did not save any of them. And the artist knew also that the story told about the Eden and the creation of Adam and Eve would be a lie difficult to “eradicate”, that’s why he put the fig tree, not the apple tree, in the garden. The apple tree and its fruit represent Eve’s initiatory knowledge which was given first to her by “God”, and no other. Afterwards, through several genetic experiments carried out by our gods and makers, the Aliens, she gave birth to the “just” man, who was Enoch, the seventh man after Adam, and starting from that moment man and woman would be much as the same as we know them now, and both possessing their own soul.

If Mary had been able to bring her message – and, perhaps, someone could believe her, think of John who in the second letter of his Gospel wrote to her calling her the “Elect” and greeting her and her children … so she had children… – once the Order had been restored, Elohim would give another present to Mankind that, “grown up by now”, would begin to walk alone. This was God’s plan and that’s why in the Genesis we can read, “My Spirit will not stay in man forever”. This was in God’s plan, but the Hebrews were waiting for Elias, who was a man, and then they did not recognize Mary. After all, how could they if they had been taught what they had about woman? It was, and is, so deviant what they have been taught about women that still today women are not allowed to pray together with men in a Synagogue (because in their period they could be impure). And yet, only the one who has a Jewish mother can be said to be a true Hebrew, and they should consider this…it’s obvious that they are not “the top of the class” as generally thought. After “knocking on so many doors” to ask for help, Mary referred to Jesus, who was her brother not her son (and James the Just was her brother as well). Mary’s son was Stephen who, then, died “conveniently” as a martyr. As we have already written, the Messiah was Mary, not Jesus, who is represented in Pantaleone’s mosaic as a strange animal under the Sun Lion from which two serpents come out. With those serpents Pantaleone wanted to represent Peter and Paul, who are Jesus sons and the first to hand down his lie. In fact, it is thanks to Paul that Christian religion was founded.

Jesus and his wife took advantage of Mary, in whom no one could believe, by falsifying the truth, or perhaps Jesus tried to help her in his own way, but then the false story prevailed. But on the right side of the mosaic which is related to the Hell and with that animal called Fraud by Gianfreda, Pantaleone seems to highlight that it was exactly a fraud that Jesus perpetrated. The same could be seen in the left arm where we can find a He-Goat eaten by a Serpent whose tail is, in turn, bitten by a Lion. What does it mean? The He-Goat, that is a symbol, stands for Mary; the serpent symbolizes the ancient serpent (is it the current Ashar Sheran???), so it represents the evil or wrong Jesus did (Dante wrote for envy, and this maybe because on the other side of the branch Pantaleone put the Harpies) for he has cheated Humanity when he replaced Mary. On the other hand, the symbol of the Lion pertains a subsequent period of time – as we can see in the Apocalypse – a time representing symbolically the victory of the Lion belonging to the tribe of Judas who is the Fruit of David. And the Fruit of David is the woman that Pantaleone depicted as Diana, and John in the Apocalypse – who is different from John in the letters of the Gospel – describes her as “clothed with the sun”. Specifically, she is “clothed” with the Star thanks to which life on Earth can develop. It is the Apocalypse that told us she belongs to Judas’ tribe and that she will receive David’s key. She will have it for, as we can see in the mosaic, the tail of one of the serpents descending from the Sun Lion touches her on her head, and this means that the woman descends from that family of Priests who, being an earthly family anyway, will have both “good” and “not so good” elements inside itself: as showed by the past with Jesus and his wife, and their sons Peter and Paul, who belonged to this family, too. Pantaleone also tells us the place where the woman will become incarnated when he depicts her as Diana, as we have already noted; but Dante, too, tells us about it, even if he tries to conceal it in his Divine Comedy, because the places that inspired the Poet and where he met Beatrice (there is a pun in the Italian language: Bea ta – the Blessed – porta trice – Bearer) are to be identified again in Castelli Romani where Jupiter lived for a short period of time after “leading” Aeneas there. These are the places where the God will incarnate again - after that Mary has found the gate to Jerusalem closed.

The fact that Jesus’ story was a fraud is also proved by the tale narrating what the apostles John, James and Peter said they had seen (but were exactly those men to tell the fact or it was added later on by someone else?) on Mount Tabor concerning Jesus’ transfiguration and his encounter with Moses and Elias: indeed, they couldn’t have seen what they told to have seen for if they could see something they would have seen Enoch and Elias, the only two Prophets that were carried away by the Celestial Bear (which was actually an alien space capsule) and whose death is not testified; but, even this could not have happened for if Jesus had been the Messiah, he would have known that Enoch and Elias were previous incarnations of his own Soul.

The one who wrote that falsehood chose Moses because he was his Prophet and Elias because people were waiting for his coming and this could give credibility to Jesus’ figure, who was wrong and was aware that the truth would come out, and this is the reason why he told that he would be included among wrongdoers, as we can read in the Gospel. He didn’t realize – I don’t think he could – the great harm or fraud he was doing against Mankind and that it would take almost two thousand years to settle things again (and it is not completely sure that things will be settled again as we can read in the mosaic; but this time the Veil won’t be made “thicker”, this time, if we fail to recognize the woman again, it will imply that mankind is not able to learn and it will be destroyed). Jesus could not imagine how people after him – included his sons Peter and Paul – would manipulate and distort the truth in order to gain temporal power. Just think of Paul – who is the founder of Christianity – when he came to know the cult of Cybele in Ephesus and related it to Jesus’ mother; or think of the pope who was the first to introduce the rite of communion without understanding its true meaning! We should enter in communion (common union) with the Anointed in us, that Particle of God in us that makes us his children and gods as well, as John was used to say. We do not need to take Communion to have Jesus inside because God is already inside us, but when he shows himself we mistake him for Jesus because of all the wrong things we have been taught in the past; and the Ego takes advantage of it to make us take the wrong way, and if he wins, we will lose because the Christ inside us can not resurrect. The difference in the manifestation of God Spirit at the end of time lies in the fact that it is in the initiate that resides the most ancient Soul, including the soul of Enoch who was the first.

Afterwards, in order to “redress” the harm done by Jesus – for what we will term the Pythagorean-Spiritual Calculation should come back – God or Elohim should recreate the right mathematics (the spiritual one) so that a new woman could be elected. Thus, after sending the vision we know as the Apocalypse to John – resuming several parts taken by previous Prophets such as Ezekiel, Daniel, Zacharias, and Isaiah, given that God had to “reset” not only the “Spiritual Mathematics” but also the prophecies – he sent Simon Magus (40-50 AD?) as the first man but, as we already know, the encounter with Peter and Paul (70 AD?) before Nero arranged by Marcellus proved fatal for him.

(I would like to emphasize this aspect to say that the story about Simon, as it is written in the Gospel, is false; in fact, Pantaleone placed Simon Magus on the side of the arm connected with the Hell with a half of his body inside a cup where he dives happily, as the picture shows, symbolizing the offer of his sufferings to compensate for his lie. The personage who is next to him, and who continues to “weigh” something for clearly it doesn’t add up, is the devil who seems to look up in search of instructions.)

In order to “reset” the Jewish prophetical part, Elohim sent a vision to Rabbi Ishmael Ben Elisa in 135 A.D. drawing on the Enoch’s vision and saying to the Mystic that the Messiah hadn’t arrived yet.

(In 132, there had already been a rebellion in Jerusalem against the Emperor Hadrian because he ordered to build a temple dedicated to Jupiter Capitolinus in the place were once was the famous temple of Jehovah; and Bar Kokeba who was considered then as the long-awaited Messiah, after identified by historians as a zealot used by the great rabbi Akiba).

Looking at the ceiling in the Sistina Chapel – where Michelangelo was inspired exclusively by the AT – we can note that the artist alternates the seven Prophets with the five Sibyls. Indeed, it is a cyclical occurrence that some Prophets come before the advent of a woman closing the circle, and Prophets can’t give rise to any religion. Most probably, Michelangelo wanted to tell us something with that, but four of those women – as Pantaleone tells us – have not been recognized, while we don’t know whether a fifth will be recognized given that in the mosaic of Otranto the feminine figures are five if we add up those represented by the four Lions to the one that Pantaleone depicted as Diana, and Diana is the fifth woman in the Fifth Era. Obviously, it was not by chance that Michelangelo put figures like Esther and Judith in the Sistina Chapel, for their deeds were underestimated in the Scriptures bringing together the Seventies.

If we consider the date when the mosaic of Acquileia was built, given that four women were already present in that work, we can suppose that the one who was at the head of the rising Church already knew everything and, if he had included the fourth woman, he knew also that she had already lived. Given that the women connected with the first three Lions, as previously suggested by Pantaleone, were those who hadn’t been able to complete successfully their mission, we can thus infer that the body of the fourth Sun Lion, as the fourth woman in the mosaic of Acquileia, was Hypatia, the scientist born in Alexandria in the second half of the IV century. The Alexandrian scientist – who was Theon’s daughter and studied astronomy, mathematics and philosophy at the library of Alexandria – was pagan and refused to convert to Christianity; indeed, she preached the faith in science and reason and invented instruments such as the astrolabe and hydroscope. That’s why she was killed, cut into pieces and had her eyes pulled out most probably on the stairs leading to the temple of the god Serapide, the god she worshipped the much. History tells us that this slaughter was done by Christian fanatics who were followers of the Bishop Cirillo, but I think that the horrible crime was commissioned because of the great risk represented by Hypatia’s mind and scientific studies. It was the period of the ascent to power for Catholic Church, made easier by the decaying of the Roman Empire; so that those two authorities came to an agreement contemplating the suppression of paganism, the closing of libraries, the elimination of scientists and the study of sciences, as well as of free-thought. Nobody could study Aristotle, Plato, Euclid, Ptolemaeus, Pythagoras and the others anymore. Women were no more allowed to have access to religion, school, art and science. Actually, that meant to jump back in time for thousands of years. After burning most of the documents contained in the Library of Alexandria, the Catholic Church went on painstakingly burning the “knowledge”, leaving mankind in the “darkness” until Gutenberg created the first proof press for printing machines, but it happened in 1456 and Gutenberg still found strong opposition in the church! Not to mention Cardinal Nicola da Cusa (1401-1464) who was probably poisoned (arsenic was “very fashionable” in those days) because of his way of seeing the Earth and the universe and because he tried to help Gutenberg.

After Hypatia’s murder, and due to the restrictive, dictatorial measures imposed by the Roman Catholic Church, women’s condition and the Vibrations of Earth got worse and worse, so that the only thing they can do after Hypatia’s death was to look for the fifth woman. This can account for the rise of Inquisition, the denigration of women because of their connection with the devil, their being considered as inferior, as witches (it was no accident that Tieners draws the woman in his picture representing her as a witch with a white Phrygian cap) and the habit of burning witches, etc. Inquisition was the instrument the Church used to know whether a woman had a particular Gift so that they could eliminate her. Luckily, those brutalities have had their day and something has changed, though in the meantime even Joan of Arc had been burnt at the stake. Clearly, only later they realized that she was not the woman coming in the end of time, and the Church itself, that had burnt her at the stake, canonized her in 1920 with pope Benedict XV – the pope who received the message of Fatima. Therefore, they are still looking for the fifth woman today, though secretly; but evidently they know now better than in the past where to look for her, given that they are also asking those who work with the hypnosis on alien abduction to see if they knew something on the woman clothed with the Sun!

How much has been taken away from Mankind because of the ecclesiastical hierarchies’ behavior? How much progress could Mankind have made and how far could it be now if the Roman Catholic Church hadn’t done constantly and repeatedly what it had done? No doubt, if the Church didn’t behave like it did we could face now this crucial moment of Passage with a different Awareness and many “parasites” couldn’t use our bodies like they are doing. What is the dark power hidden behind the pope’s white cassock? And behind the present pope, who is the 16th, a negative number as History teaches us? How many people were killed by the representatives of this institution only because they feared those people came to know what they were trying to occult by every possible means???

After Hypatia (in 569 A.D.), Elohim sent the Prophet Muhammad and after his death another religion originated. But being the “God” incarnated in him, it is certain that the Prophet – who was said to be illiterate among other things – could NOT have said the words we read in the Koran about women. Who checked the few writings of the Prophet and changed their meaning and their direction? Who turned the Koran into the book we know today? The documents that, after Muhammad’s death, the Mahagdi consigned to a boy so that they could reach Italy were not instructions for a new religion, they were much more. But once landed in Italy, the sailor, to whom the Caliph in green gave the bag with the documents and the map, stopped in Otranto. He was decapitated with a scimitar (who did it and who paid him?) in a place that was a pagan temple at that time; the bag with the documents was stolen and hidden under the temple’s floor, and the stone he had around his neck was stolen, too. Besides documents (perhaps those concealed in Plautus’s dramas), the bag contained a map where, in my opinion, we can find the coordinates to look for the object Senmut found first under the pyramid of Zoser. Before Pantaleone, another monk (perhaps San Nilo??) could have found the bag and the map in one of the hiding places under the floor (the hiding places can be seen in a photo taken on the occasion of the mosaic restoration) given that he frequently visited those places before going to Grottaferrata, where he probably arrived to show the pope what he had found. But, due to the way news were delivered at that time, and after several vain attempts on the sly, we had to wait until the period of Crusades before someone decided to look for the object. When the First Crusade began in 1099, Hugues dè Payns was already in Jerusalem, what was he doing there? History tells us that, when Geoffrey of Bouillon was elected as Guardian of the Holy Sepulchre, nine of dè Payens’ subordinates started to excavate under Solomon Temple. What did they really found? No doubt a treasure, but what kind of treasure? The greatest treasure is Knowledge, that is to know who we are, where we come from and what are we doing here, given that these questions have always accompanied mankind.

Dè Payens, who was actually the first Templar, was also cousin of Bernard of Chiaravalle – the man who wrote the Rule of the Templars and became active to support the Order within the Church (there are some documents attesting the presence of Bernard during the massacre of Cathars at Montsegur; what did he hope to found or have again? Afterwards, what were Hitler’s men looking for in those places?). Bernard of Chiaravalle was, in turn, a friend of Malachi, the author of the Prophecy of the Popes, or the so-called Rose Prophecy … (the Rose … this seems to suggest, in my opinion, that even the name of Peter II – the last pope in the prophecy – was changed in a masculine name). Which is the link connecting those people apart from kinship and friendship?

After Muhammad, there will be a woman again, and she will be the one Pantaleone depicted in the mosaic as Diana in the part we called “the legs”, that is the part where he tells the story of Jonah that opens the Lion’s mouth (this means that she will tell about God in herself or, as we can read in the Apocalypse, she will give birth to the Child) after defeating the monstrous animal we can see on its back under her feet (the animal representing the Ego or her Darkest Side) for it tried to kill her (as represented by the Deer the monstrous animal is trying to crush). And it is due to her strength, to her fight against the Ego – and evidently Pantaleone knew she would win for she belonged to the Line of Priests or Nazirite – that the monk wrote the name of Samson above her. In what we termed the crown of the mosaic, that is where the story of Jonah is told, Pantaleone included also the golden ass by Apuleius for it is the symbol of the lowest wisdom, and even Dante tells us that the Veltro will have low birth.

Below the Sun Lion, there is a woman dressed up as Diana goddess of the Hunt with her bow that, as we have already said, is the one who should give mankind the message that Jonah brought to Nineveh. But this woman had to do many other things for, apart from Jonah’s message, she is the most important figure in the mosaic as we can infer because the “Anointed One” or the “Christ” – long-awaited in ancient traditions – will become incarnated in her.

In front of Diana we can see the wounded Deer grasping among his paws a strange figure with the body of a he-goat and a human head to signify that, when the woman indicated by Pantaleone would have read the message, the human generation currently on the Earth would be in danger. This is revealed by the chessboard, a symbol representing the game of life, made up of thirty-two white squares and thirty-two black squares that Pantaleone put on the head of the figure. This entails two possibilities: 1) if the woman is not able to bring her message, there will be the end of mankind and probably, like Noah, only a small number of deserving people will be saved (that’s the meaning of the black side), and it is for this reason that the woman on the branch of the Tree placed in the mythical part is undressed though she still represents Diana the goddess of Hunt; 2) if she succeeds in bringing her message and everything goes well (the meaning of the white part in the chessboard) the myth will be created and she will be then “dressed up”.

Below again, there are in the mythical part some personages playing the Last Trumps, that is the trumpets playing in the end of times according to mythology. In the real part, the Chaos is depicted, namely the chaos experienced currently by the entire human race who is not able to realize the great battles fought at Levels we can not perceive.

Then, there are two elephants, the biggest animals on the ground, supporting the whole load of the Tree of Life. The elephant supporting the mythical part is bigger because, as we have learnt, myth is always wider than reality. In fact, the elephant supporting the side of reality is smaller; under this elephant there is a baby mouse that Pantaleone placed there to represent a specific figure corresponding to the leader of Catholic religion (and corresponding also to God’s Ego and, as we can see, it is much smaller than the mouse that accompanies the God Ganesh. This is because, as we can read even in the Apocalypse, that part of Elohim’s character, namely the Ego or Darkest side, is doomed to die). This personage has always concealed the truth – and he knew it – even before the Council of Nicaea, and he went on in pursuing his goal and he didn’t even listen to Our Lady of Fatima when she asked him to reveal the secret for the end of time was approaching; but the truth was not revealed, it is still concealed today when Mankind is on the brink of precipice.

(This is related to the danger that would have threatened mankind if ecclesiastical hierarchies didn’t have told immediately the truth about the third secret revealed by Our Lady of Fatima, and not to the joke told about the attack against the Pope, and I am also persuaded that the other two secrets contain something different from what they told us. And we would have expected the representative of the Catholic Church did it given that, if we are able to interpret the text in the right way, it was also anticipated in John’s Apocalypse).

Everybody knows about the belief according to which elephants are afraid of mice; Pantaleone put the empty circle above the mouse to highlight that this belief is no more than a legend. The elephant is one of Isis’ protégés – this means that the Cat representing Basted is Isis’ heart and is placed above it – and it is not afraid of the mouse. Furthermore, in order to tell us that it would be an “Italian Isis” the woman in whom God’s Spirit would reveal, Pantaleone depicted the Cat above the elephant with a pair of boots on, and it is placed on the left not by chance!

CONCLUSION:

Here, we have dealt with a very concise reading of Pantaleone’s work examining only its key features: the monk included so many details in his picture that a book would be needed to explain them all, because he wanted to tell us about what he came to know and where we have to look for the Truth; but any single detail leads to a story and any story leads to its relevant explanation. However, I am persuaded that to solve the main knotty problems would be enough to simplify the reading of the text and then the experts could make some suggestions about how to read Pantaleone’s work; surely they could do it better than I could.

The key subjects to read in the mosaic are clear and they are:

Through the “game” of religions, God was bringing us up as Humanity after elevating us from the “status of apes” (that’s why Darwin’s theory of evolution has a missing link).
It is a woman who should have the Seal of “spiritual suggestions” because women are directly connected with the Sacred Feminine of the Earth.
It was Mary the long-awaited Messiah, not Jesus, because the Elias awaited by Hebrews was clothed with the body of a woman. (To confirm what we are saying I suggest to analyze the number of days and months the Catholic Church has chosen to celebrate Mary).
It will be a woman again the Messiah coming in the end of time.
Christianity originated from, and is based on, a great falsehood, and Hebrews also, since the time of Solomon, are going the wrong way.

Hence, the institution of dogmas and the use of violence, such as in the case of Inquisition or stakes, by ecclesiastical hierarchies who knew well that the Messiah should be a woman. This also explains why the Catholic Church has always denigrated women arguing they were connected with the devil and blaming particularly those women termed as witches, while they were simply looking for the woman who would unmask them. Those women the Church persecuted and burnt at the stake were just women that had never forgotten the ancient rituals devoted to the Great Goddess Mother and the knowledge of nature. And all this was done only to keep on claiming false truths and holding the temporal power of the Catholic Church.

The failure in recognizing Mary and the Falsehood about Jesus, that after became the lie of the Church, cost mankind two thousand years of sufferings given that Mankind should have take at least twenty centuries ago the quantic jump they are currently talking about; because that was the date, as we have already said, when Elohim in his plans would give Mankind another gift after that Mary would have restored the order and the Veil would have opened.

Pantaleone foretold that a woman would be able to read his mosaic and reveal also the secret he had concealed there, for he knew that only the woman would possess the “Key” for its right interpretation. He was right! Only if you possess the “Key” you can understand the monk’s message. How could he know what he knew is easy to say, if you know the story of that period: he knew it thanks to a group of men among the first Crusaders, who became then Knights Templar and brought back something from the first Crusade in the East, and I am more and more persuaded that what they brought back was the object they recovered following the map stolen to the sailor killed in the temple consecrated to the Goddess Minerva in Otranto, that is the same object Senmut had found under the pyramid of Zoser. Our gods had hidden it under the pyramid before they were forced to leave the Earth because of what we know as the Flood, but it was something more, it was the destruction of Atlantis situated in what was still the terrestrial Pangaea. Hatshepsut’s stepson took possession of the object after killing his stepmother and the woman(?) who was with her. Afterwards, the object was hidden again but, thanks to the map brought by the killed sailor, it was recovered by the first Crusaders who became Templars. After reading the deeds about Jesus – and evidently even the Templars came to know them thanks to the object – we can understand why in their initiation rite they made the neophytes spit on the image of Jesus and, on the contrary, celebrated feminine figures such as Mary for they knew she was the unrecognized Messiah.

The three women that, according to the legend, arrived in France were Mary, her daughter and her granddaughter; the latter will originate the lineage we call now as the Merovingians. Starting from that girl, for it could only advance from woman to woman, this lineage will come up to nowadays; thus, once again Jesus couldn’t have passed anything on! Pantaleone meant this when he drew the serpent’s tail starting from the Sun Lion and touching Diana’s head, and Dante meant this when he wrote that the birth of the Veltro, who will have low birth, shall be between felt and felt, that is from incarnation to incarnation.

And Leonardo da Vinci also knew that and the characters he depicted in “Madonna in the Rock Grotto” are, in the artist’s imaginative world, besides Mary, her daughter – the one who is told to be an angel – her son Stephan – who is the child on her right, and the figure at the bottom, whose gender is kept secret, is her granddaughter, that is the daughter of her daughter. Leonardo placed Mary in a grotto, it is the grotto of the heart, and what should be in the heart of a mother if not her children and her grandchildren? Mary was not different from other women, as our Diana is not different, too, but she had a difficult task to carry out because the God became incarnated in her; though, unfortunately, she failed.

The reason why the Templar kept the secret about Jesus’ fraud is not very clear; in reading their story, you may think that they were aiming exclusively at the temporal power and perhaps at first, thanks to the presence of Bernard of Chiaravalle who was already a prominent theologian, they made some arrangements with the Catholic Church ensuring them the freedom to manage their own affairs; but the Church, clearly worried about the economic and cultural power the Templar were more and more gaining, decided to eliminate them in 1307. Such a plan couldn’t be kept secret for long and, evidently, many of them were able to hide themselves or to flee in Spain and it was only the one who was considered as their official leader that paid most of the consequences (in fact, the true leader stands always in the background in this kind of secret societies.)

Meanwhile, the “acknowledged” leader Jacques de Moaly was tortured, killed and, perhaps, burnt; he had given his life for the order, he had sacrificed himself and this act evidently was not useless given that, in my opinion, the sheet we know as the Holy Shroud was not used to wrap Jesus’ body but to wrap the body of the last templar leader; he was laid down in the sheet while still alive and, in expiring, his Soul left the mark we recognize today. The carbon-14 test results confirm my opinion because they date the sheet exactly back to that period.

Those who disagreed with the order’s decisions seized the opportunity of this massacre to found another branch, that of the Priory of Zion; then, the survivors decided that those two branches had to go each on its own way. We can see still today what is the masons’ goal, and we can easily guess what is the Priory of Zion’s goal; they have kept it always as a secret because they have to guard and hand down it for, when they will have news about the woman, they should protect and help her.

Who came to know that secret we can easily understand with hindsight by looking at the enigmatic works he left us. We can start with Pantaleone and his message, but after him many followed with their multiple “hints”; just think of Frederick II (who, among other things, was also excommunicated because he became a friend of Saladin instead of fighting against him) and what he did with Castel del Monte which is a place of initiation where the number 8 reigned as a symbol of infinity, but even the other works he made are characterized by a mystical language. Even L’Aquila revealed to be a place where he operated. After him, Celestine V arrived in that city to build its well-known monuments.

Those personages did not reveal the secret except in a cryptic way through their works, as many others did including several artists (for example: Dante, Boccaccio, Gutenberg, Botticelli, Raphael, Michelangelo; Leonardo da Vinci, Nicolas Poussin, probably Colombo and certainly Giordano Bruno; while others were mistaken for clairvoyants but they simply “looked” in the same direction Pantaleone “looked”, such as Malachi, Nostradamus or Sigismondo Fanti) who knew the secret but kept it as we can see now if we are able to “read” and “look” into their works.

If no one of those personages has said a word I thought they did it because they didn’t want to jeopardize the future and they were determined to protect the woman from the threat of the Church, but also because they didn’t want to put their own lives at risk given that there was the Inquisition and it would be of no use to die without being able to help the woman coming in the future, to encode the messages and send them to the future generations when somebody would have been able to interpret them.

Besides Christianity, texts belonging to many other ancient religions dealt with the final “apocalypse” without providing us with a precise date. Indeed, we have known that date since scholars have been able to understand Mayan calendar, though it should be adjusted of about seven years as many experts pointed out. This is because we count the year zero starting from Jesus’ birth while we should count it starting from Mary’s birth who was seven years younger than him. The Maya did not speak about catastrophes but they mentioned a great change in the end of time. Due to the various troubles men have made over the centuries, a date intended as one of spiritual growth (I mean a date when we have to advance from a level of Knowledge to a higher level) became a negative date and if we consider also what Pantaleone wanted to tell us in his mosaic, where he included Jonah’s story, we could even read God’s message for the end of time. And this is exactly the message Mankind has to understand right now in such a difficult age as it is both for the Earth and the creatures that inhabit it.

By counting with the Mayan calendar where the year starts in August, we can find again the number forty (recurring many times in Scriptures) because there are exactly forty months from August 13 2009 to December 2012. However, if we consider that many historians refer to the inaccuracy of seven years, we could be now in 2002 so that it will take a little more time to arrive at the fatal date but the escalation in earthquakes and floods makes us believe otherwise. Statistical data tell us that natural disasters have increased by 500%. After all, even if it was true and we had a little more time, the final date won’t bring with it good news unless we used the time from now to restore Justice and Order for people and for our planet; furthermore, I can add that in the short period we have it will be a woman to give us the required “spiritual suggestions”, a woman able to unify all the religions in a single one: the Kabala, as referred to the personal journey. Everybody has to become gradually active so that the undertaking succeeds. Particularly, the potentates of the world – at a political as well as religious level – have to become active (for example telling the truth). What will happen within few years is influenced by what we will be able to do from now on in the time left: if Justice and Order are restored we could expect to have what clairvoyants(?), such as Nostradamus and Sigismondo Fanti, wrote in their prophecies; if we fail, it will happen something similar to what our Michelangelo depicted in his Last Judgment.

But it maybe that we will never know this, that we will arrive at the “final day” unaware that we could have saved ourselves and, once elected, the one who possesses the documents that could confirm what we are writing about – especially as regards the story of Jesus and that of Mary – has had the bright idea to double-lock his library; and clearly there are some documents even in Assisi given that he closed the ranks there, too. To lock up the libraries was not the right thing to do for those documents belong to the entire human race. Then, it is difficult to find a confirmation of what we have written so far, and it is not easy to be believed in because the “subject” we are dealing with is not provable, unless our hypothesis is confirmed by one of the members belonging to the Priory of Zion, given that at this point in our research we are sure he exists and perhaps he is the only one who could confirm what we could read in Pantaleone’s mosaic; a reading we could make thanks, above all, to the specific experiences we lived that turned to be a crucial support for they act like an Ariadne’s thread along the path in the quest for Truth.

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Aggiornato il 22/09/2009

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Il mosaico di Otranto	Grazio Gianfreda	Edizioni del Grifo
L’enigma del re	Giovanni Bellisario	(Apulia)
Un diamante da risvegliare	Ernesto Baron	………….
Il mistero del Sacro Graal	Graham Hancock	Piemme pocket
Il mito del liocorno	Roger Caillois	Medusa
Il gatto magia e mistero di un disegno divino	Ada Pavan Russo	Eremon edizioni
Culti Egizi	Ada Pavan Russo	Mediterranee
La grande piramide e lo Zed	Mario Pincherle	Macroedizioni
Egitto segreto	Paul Brunton	Il punto d’incontro
Il mistero di Orione	R. Bouval A.G. Gilbert	Tea
Tutankhamon	G.Magi G. Tenti	Bonechi
Storia e leggenda dei Templari		Atlanti del sapere
Simboli della scienza sacra	Renè Guènon	Gli Adelphi
Dizionario dei simboli		Dizionari Piemme
I grandi iniziati	Schurè	Editori Laterza
Il Sutra del Diamante	Osho	Edizioni del Cigno
Buddismo della Via di Diamante	Lama Ole Nydal	Mediterranee
L’uomo e i suoi simboli	Carl Gustav Jung	Tea
La triplice via del fuoco nel mosaico di Otranto	Francesco Corona	Atanòr
Planetario	Alfredo Cattabiani	Oscar saggi Mondatori
Il timeo di Platone	a cura di Francesco Fronterotta	Bur
Summa Prophetica	Renucio Boscolo	Friuli & verlucca
Il ramo d’oro	Frazer	I mammut
Cerchi nel Grano	Adriano Forgione	Hera Books
L’universo in un guscio di noce	Stephen Hawking	Oscar Mondatori
Nikola Tesla Genio dimenticato della scienza	Robert Lomas	Macro edizioni
Il libro delle porte	A. Veggi A. Davidson	Venexia
Da Atlantide a Sciamballah	Alec Maclellan	Piemme
Roghi fatui	Adriano Petta	Eretica
Eresia pura	Adriano Petta	Eretica
Nostradamus l’enigma risolto	Renucio Boscolo	Oscar Mondadori
La Bibbia di Gerusalemme		Ed.Dehoniane Bologna
Gli Esseni	a cura di Angela Cerinotti	Atlante dell’esoterismo
Il libro tibetano dei morti	a cura di Giuseppe Tucci	Se
Il libro dei morti degli antichi Egizi	Boris de Rachewiltz	Mediterranee
Tao Te Ching	a cura di J.J.L. Duyvendak	Gli Adelphi
Trattato della reintegrazione degli esseri-	Martinez de Pasquadilly	Amenothes
Gesù mago	Morton Smith	Gremese editore
Gli uomini del ritorno	Morton Smith	Essedue edizioni
Il codice da Vinci	Dan Brown	Mondadori
Le astronavi del Sinai	Zaccaria Sitchin	Piemme
Spedizioni dall’altro passato	Zaccaria Sitchin	Piemme
Gli Dei dalle lacrime d’oro	Zaccaria Sitchin	Piemme
Il codice del cosmo	Zaccaria Sitchin	Piemme
L’altra genesi	Zaccaria Sitchin	Piemme
Alieni o demoni	Corrado Malanga	Chiaraluna
Narrano antiche cronache	Roberto Volterri	Edizioni Hera
Terra senza tempo	Piter Kolosimo	Mursia
Gli dei erano astronauti	Erik Von Daniken	Piemme
Il segreto delle tre ottave	Michele Proclamato	Melchisedek
Inchiesta su Gesù	C. Augias M. Pesce	Mondadori
Il terzo occhio	T.Lobsang Rampa	Oscar Mondadori
Enoch e la sapienza celeste	Cristiana Tretti	Giuntina
Il santo Graal	M. Baigent R Leigh H. Lincoln	Oscar Mondatori
La Divina Commedia	Dante	Bignami
Rennes le Chateau	Mariano Bizzarri	Mediterranee
I maestri invisibili	Igor Sibaldi	Mondatori
Talismano	Graham Hancock Robert Bouval	Tea
I nuovi cerchi nel grano	Michael Heserman	Edizioni Mediterranee
Il codice segreto della croce	Henry Lincoln	Sperling Peperback
Il vangelo di Maria Maddalena	Daniel Meurois-Givaudan	Edizioni Amrita
Le profezie di Tutankhamon	Maurice Cottorel	Editrice Corbaccio
Il codice del tempo	Gregg Braden	Macrolibrarsi